We were joined at Ardington School of Crafts in September by the delightful Richard Box for another exposé of his artistic talents.  He is so popular with our students, whether for his Drawing for the Terrified, Painting for the Petrified or Machine Embroidery (also known as free-stitching) courses, and it’s easy to see why.  Richard has a very easy going and fun style of teaching that it is difficult not to love!
 
Here’s how he describes today’s Daisies workshop:
“I show the students how to start by whizzing about on my sewing machine.  Go slowly I say, breathe and smile radiantly while you are at it!  The smiling means they don't jerk – you need a nice, smooth action for this work”. Richard is hardly going slowly at this point as he demonstrates, but then he has been practicing for a few years now, and he makes it look so simple. With the correct foot for your sewing machine (a darning or free-motion foot), you really can whizz up an exciting piece of stitchery.

Jonathan Hopson, formerly of everyone's favourite Camp Hopson Department Store in Newbury, had never ‘sat’ before so had no idea what to expect. We had never run a two-day portrait painting course before, so we had no idea what to expect either…

Simon Sonsino, Director of Ardington School, met Jonathan through the local table tennis league. Both now play for the Woolton Hill Wolverines, and it was during one of these sessions that Simon popped the question, "Jonathan - how do you feel about a room full of people painting your portrait?"  A few more questions later, and you can see the results.  Here's how it went.

What do I wear?
Having put Jonathan and George Popesco, the tutor for this two day  course, in touch prior to the event, they had decided on a clothing plan of action. On the morning of day one, Jonathan dutifully turned up with an armful of clothes and after a brief chat with George, it was decided that a suit was the order of the day.

Where do you start?
After being introduced to the students over freshly brewed coffee and homemade cookies, Jonathan was seated and then the day could begin. The sessions for both days were five hours long, but Jonathan took a short break every 25 minutes or so. George explained the starting techniques to the class and so it began, brushes on canvases started to sketch in Jonathan's Mona Lisa type smile.