A tale of a teapot made with no tools…
Debbie Page came without her clay working tools today but that didn’t stop her. Debbie’s fabulous pots - particularly the 'tri-umph of teapots' – are famous in these parts. She starts to show me how she makes a teapot from two pinched pots shaped into half domes and then joins the two pieces together to make a sphere, or the body of the teapot.
Normally Debbie would use a wooden modelling tool to join the two sides with a little water, (slip takes up space, so Debbie prefers just a little plain water to join them), but today she uses only her hands and a hair chopstick to create the finished article.
Whilst letting the combined sphere dry, Debbie also crafts a shallow dish, as a prototype for a collaboration with Calligrapher, Simon Sonsino. Debbie will fire the shallow dishes and glaze some of them so that Simon can experiment with writing on them in various different media. He intends to sell the final Calligraphed dishes for use with inks and pigments, jewellery or just for decorative fun.
Back to the tools-free teapot construction! Debbie now turns her hand to the lid. She takes a smaller ball of clay and makes a little half dome (1). It gets rolled on its side on the table top to make into a pointed lid – like a conical Chinese rice hat. Then a small flange is added and it stands proudly waiting for its new home (2). How exciting – the pot is looking ready to fill with delicious tea. Debbie advises that she never lets a teapot out of her workshop without a guarantee of it being a ‘proper pourer’, so these vessels are not just for looking at but for serious tea drinking.
Next the spout. This is where Debbie cheekily removes the chopstick holding up her long auburn hair, to skewer a pouring hole through the little rolled sausage spout (3). The handle comes next, a towering tall one. For this Debbie rolls a piece of clay into a long sausage and then flattens it gently by hand – no rolling pin required! When these two appendages have dried slightly into their fine new shapes, Debbie moulds first the spout onto the side of the pot with a small extra coil of clay, to give it good contour and firm connection at the join.
Silver Clay Jewellery
I’ve been on this course myself three times and I still haven’t got it out of my system just yet! What is it with jewellery that’s so fascinating? Perhaps it’s something to do with how it makes you feel.
How do you make silver clay jewellery?
Silver clay is a lovely new material which is fully mouldable, just like clay. You can shape it free-hand, or use moulds and tools to texture and shape it, and then fire it into fine silver (99.9% pure silver). Firing is by specialist kiln or there are alternative firing techniques you can do yourself at home.
You can learn the techniques in a matter of hours, then go onto design and create jewellery in the same day. Silver clay moulds very much like Play-Doh, so if your design works there, it will look even better in fine silver. TIP: practice on Play-Doh first, not on your silver clay!
I made two pendants on my first day, and three rings the next. Give them a polish (by machine or by hand), add chains or fixings, jewels, pearls and a lovely box, and your indulgence is complete.
Silver clay comes in a lovely paste too, so you can paint it onto leaves and other treasures from nature to preserve them perfectly in this precious metal. BBC recently featured silver clay on Countryfile, turning ferns and twigs into fine silver gorgeousness. I cast a leaf pendant on my third day course and now wear it almost daily on a long chain. It feels wonderful, so very tactile.
See our range of Silver Clay Jewellery Workshops and come and try it for yourself!
Welcome to the results of the Ardington School of Crafts Wellbeing Study 2018 (as featured in Craft & Design Magazine March 2018)
We had over one hundred responses to the study from people aged 25 to over 75. The largest group of study respondents was aged between 55 and 64. Strikingly, there were very few men – just four out of a hundred were male. Why was this? The invitation to take the study was sent to a wide variety of people and aimed to achieve a good spread of age and gender. On social media, it reached an audience that was made up of 37 percent men. Perhaps one reason that we had such a small number of men respond is that not enough men yet realise how important it is to be creative and that, as we will see from the results, creativity has such a strong beneficial impact on health and mental wellbeing-being, evidenced by our respondents in a long list of positive outcomes. The student base here at Ardington School also reflects a much smaller percentage of men than women attending courses.
Our view is that more people, (especially more men!), should take up a creative activity in order that they can benefit from better health and wellbeing, feel less anxiety but a stronger sense of purpose and achievement. The study results show conclusively that people feel much happier, have a stronger sense of purpose and are more relaxed because they are involved in arts and crafts activities. Most interestingly, almost half of the people in the study are now making an income from their crafts. This is becoming more important as we live longer, and need to finance that additional lifespan. Why not earn money by doing something you love and makes you happy?
You can see the full results of the study here, and read the commentary on the findings below.
What types of art and creativity do people enjoy?
The study results showed that most people enjoy more than one art or craft activity, on average almost 3.5 each. The top activities in our study included textiles and needlework (69%), painting, drawing and illustration (37%), and mixed media work (28%). Also, very popular were calligraphy (23%), ceramics, clay and mosaics (23%) as well as paper crafts (25%). Jewellery making and metalwork also scored highly (22%), as did photography (22%) and printmaking (21%). Garden design and glasswork were favoured by around 15% of respondents, and finally willow-work (12%), writing (10%), floral art (8%), stonework and woodwork (4%) and furniture (3%). There may be some gender related preferences in these results, as a deeper review of the individual answers for men shows a preference for painting and printmaking in this group, albeit a small sample.
What types of arts and crafts do people do?